I read this book with the Chinese version. Somewhere only the native narration can express what the author wants to say exactly. Before the former half of the book, I hate Strickland, but as the charm of all novels, keep reading can change all attitudes of one person in stories with the plot.
Actually,Strickland is a unique, not only a unique man, but also a god-like artist. His affection and craziness on drawing means a kind of faith. It is his life, it is his life too.
影评评论
终于看完。这部剧与之前刘星教授的《Safe House》更倾重于哲学性（介绍它的法的哲理和源头与发展）相比，更具有学科特点。从中习得了很多法学的重要概念和基本原理框架。是初学者「扫盲」的重要剧集。两本剧应当结合起来，才能算是窥见法学的大致轮廓。
看了这部剧，希望每个人都可以过上自己理想的生活，让自己快乐的生活。
谈政权、谈共产，以苏联解体为背景，以”丧”为基调。很好地用故事的堆砌反映了社会现实，但是过多甚至整本都在描绘十分不堪的生活场面，读完很沉重。在我们这个时代的情感界里，人们感叹的是，“遇到性遇到爱都很正常，稀罕的是遇到了解。”而，在那个政权解体、家庭支离破碎、民不聊生的年代，大概平和的生活本身就是乌托邦吧。 如果是为了揭露一个社会现实，那我觉得编剧的目的达到了。但如果是想借此反映某个政权是否真正适合一个国家，那我觉得这是失败的一个作品，毕竟我会更坚持这样一个观点“对一个人的评价要等到他棺盖合上的时候，对一个政权的评价要等到它下野之后，对于永不下野的政权，当然要等到它亡党之后。”另外，全书基调太过沉重丧气，丝毫感受不到未来生活的希望，这也很背离我所以为的，作家应当负有反映一代人的生活，同时给一代人带去点精神上的安慰或鼓舞的使命感。
不错不错，就是太长了，其实很多地方没必要写这么细，详略得当一些会更好看
很精彩，编剧的希腊史就是三次希波战争，如果把亚历山大东征也算作第三次希波战争的话。还想看看希腊的文明和艺术史。
I read this book with the Chinese version. Somewhere only the native narration can express what the author wants to say exactly. Before the former half of the book, I hate Strickland, but as the charm of all novels, keep reading can change all attitudes of one person in stories with the plot. Actually,Strickland is a unique, not only a unique man, but also a god-like artist. His affection and craziness on drawing means a kind of faith. It is his life, it is his life too.
看到第52章就想放弃了，感觉没有琉璃尊好看，前后接不起，情节交代不清楚
过去一直以为只有中国的教育体制才会培养出优秀的打工者，现在我释然了😌 昨天看到一句话：开始做一件事最好的时机是十年前，其次是现在。